Advent Musical Reflection #2 :: 2nd Week: "Open" Regina Spektor

I chose a Regina Spektor song last year for the second week of Advent, too. I wonder if there's a connection? There is a lot I want to say about this song and Advent, but I'll start with just a general expression of love for Regina Spektor. She's fantastic, isn't she? Anyway, "Open" has a beautiful, slow build reflected in the instrumentation and dynamics. It starts minimally and a little dark. Even though the content of the verses do not get much lighter, it remains hopeful in the chorus and the music. There it is again, hope. Advent is about waiting in darkness, with hope, for light.

Potentially lovely
Perpetually human
Suspended and open
Open

With those words, the song switches from minor to major. The piano is fuller and the vocalization louder. Just because we are waiting, that does not mean our time is devoid of joy or beauty. Waiting can be hard, boring, painful. It is definitely "perpetually human." Sometimes it can be "potentially lovely." The situations in the verses are sometimes painful, "wires 'round my fingers" or the gasps for breath in between the lines about being trapped in the last verse. I wrote last week about the journey being hard and sometimes unknown. To pretend it is not is denial - one of the reasons I like Catholicism. It's homey and rich and it's not very cuddly. No one accuses Catholicism of trying to con you with warm fuzzies. (Or maybe I'm watching too much Daria on Hulu?)

Even though the song is not particularly happy, it recognizes beauty. In the bridge, everyone is confined but they see beauty in the falling snow and the streetlights. It's a delicate part of the song and almost a rest from the tugging extremes expressed between the verses and the chorus. Throughout, the piano anchors you throughout the song with a steady pulse and lovely counterpoint to the vocals. It asks you to look beyond the hard, boring, painful.

Then comes the word "open," often repeated, is triumphant. Every time she sings it, it has more power and is more full, joyful even. The song asks you to recognize the potentially lovely, accept the perpetually human, and embrace being suspended and open. Be open to all the experiences we endure, beautiful, painful, confining, lovely. Be open to allowing experiences to affect you. Be open to the Nativity event, the Incarnation, God coming to earth. It can be a slow build, like this song. On the last chorus, the last "opens," we get the finale we have been waiting for.

So that this week is actually a reflection, I'll leave you with some questions:
- Where do/did you recognize beauty in the coming week? This past week? In your Christmas preparations?
- What do you need to make yourself more open to this Advent? In the new year?
- Finish the last line of the song, "Open up your eyes and then..."